We addressed our audience by using main characters that were
similar to them, so they could feel a connection to the film and feel like they
were being represented on screen. To achieve this similarity, we chose to dress
our characters in casual modern clothes. This helps to set the date of the
thriller, whilst making the characters more like the audience. Originally we had
planned to follow conventions of other thrillers (and films in general) by
representing character roles through the clothes. For example, we initially
planned on dressing our antagonist all in black, to symbolise that he was an
evil, dark character who could not be trusted, whilst we had planned to dress
one protagonist in a white dress (to make her appear innocent, fragile and vulnerable)
and the other in a red dress (symbolising and fore-shadowing violence and
danger). However we decided against this in the end, and chose the casual
clothes as we felt this would appeal more to our young target audience, and we
felt that it would also add to the creepiness of our film if everything was
happening to “normal” people in an “everyday” setting. We also attracted our audience by using
conventions we had seen in other thrillers. For example, we used close ups and
extreme close ups which can be seen in the opening sequence of Se7en, and we
used low key lighting which is seen in many thrillers like The Dark Knight
Rises and Paranormal Activity, to make shots dark and mysterious. This means
that if audience members are big thriller fans, or have seen these films, then
they may notice the similarities to our product and the use of conventions, and
think it would be something they would enjoy, allowing us to borrow their
audience. Adhering to conventions will also appeal to Mainstreamers (a large
portion of our target audience) as they like things that can be expected and
they know they will enjoy. CUs and ECUs also help us to maintain the audience’s
interest by creating enigmas, allowing the audience to see objects or
characters of relevance but not revealing why they were important. Our shots
introduced key characters, and suggested their roles (through the use of low or
high key lighting, low, high or POV angles, casual clothing and other aspects
of mise en scene such as props) but they did not give too much away, which
means that the audience would want to continue watching the rest of the film to
understand and figure out the enigma codes. This is what we felt was the main
function of an opening sequence.
An example of low key lighting used in our thriller
A prop that feature in our opening sequence
An example of an extreme close-up from our sequence
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